Well, here we are then, the EP:
About 13.5 months from start to finish.
It's been educational...
Not bad for a total budget of £50.
More seriously, I'm pretty happy with how it's turned out but I've had a lot of help along the way, for which I am hugely grateful.
info@drewstephenson.com
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Saturday 11 August 2018
Sunday 5 August 2018
Band on a budget - the recording process part 21
Been quiet from me again recently, mostly because there's not been a great deal to say. Lots of listening and tweaking for the most part but we have added some additional percussion parts to the tracks and also had a listen through to see where there were things we could strip out.
I'm pretty certain a decent producer would do more of the latter but having been so close to this stuff for so long it's hard to have any kind of objectivity.
Anyway, last weekend I spent a few hours mastering the tracks. Mixing and mastering the material isn't a recommended approach but we're a bunch of cheapskates and couldn't afford a proper mastering engineer. So I fired up some reference tracks, massaged some levels, and lo I was happy with the sounds.
Then I listened to them over the week, compared them to some more modern stuff, and lo I was not happy.
Fundamentally the low end wasn't there compared to the reference material (it would have been fine in the 80s!), I'd overdone the brightness slightly, and I also identified some issues in the individual mixes that somehow I'd missed over the last year.
So today I am mastering again. Multi-band compressor acting below 100Hz to give a bit of that modern bass response, reduced the high-shelf EQ by half a dB, and then some mix fixes on specific issues within the tracks.
I'm not going to be sharing any links this time I'm afraid, because hopefully the next time you'll hear these will be as the finished article.
I'm pretty certain a decent producer would do more of the latter but having been so close to this stuff for so long it's hard to have any kind of objectivity.
Anyway, last weekend I spent a few hours mastering the tracks. Mixing and mastering the material isn't a recommended approach but we're a bunch of cheapskates and couldn't afford a proper mastering engineer. So I fired up some reference tracks, massaged some levels, and lo I was happy with the sounds.
Then I listened to them over the week, compared them to some more modern stuff, and lo I was not happy.
Fundamentally the low end wasn't there compared to the reference material (it would have been fine in the 80s!), I'd overdone the brightness slightly, and I also identified some issues in the individual mixes that somehow I'd missed over the last year.
So today I am mastering again. Multi-band compressor acting below 100Hz to give a bit of that modern bass response, reduced the high-shelf EQ by half a dB, and then some mix fixes on specific issues within the tracks.
I'm not going to be sharing any links this time I'm afraid, because hopefully the next time you'll hear these will be as the finished article.
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